Audio Production Services
 

As an owner/operator of an audio production suite, I offer professional grade audio equipment, experience as an engineer, and critical listening skills as a musician. These three elements combine to help deliver high quality, professional sounding audio projects.

Although primarily intended as a post production space (editing, mixing, and pre-mastering), a modest but thorough selection of high quality mics and preamps ensures that I can handle basic tracking needs in-house, in addition to remote location recordings as well.

The studio is treated and balanced with both high and low frequency absorbers which make it an ideal space for mixing projects to ensure consistent playback among a variety of different reproduction sources.

Below is a detailed equipment list, along with links to other pages decribing offered services in more detail, complete with demo audio files. If interested, please contact me to arrange for a possible free demo excerpt of your sepcific project.
 
Tracking   Editing/Mixing   Mastering   Digital Archiving/Restoration   Rates   Fetishistic Photos
 

Studio Equipment

Computers and Software

  • Intel-Mac Pro, Dual 2.66: 3 GB RAM, 500 GB hard drive space
  • Macintosh G4, Dual 450: 1 GB RAM, 260 GB hard drive space
  • Macintosh G4 867 Powerbook: Portable laptop (for location recording)
  • ProTools LE 7.3.1
  • Digital Performer 5.1
  • Logic Express 7.2
  • Bias Peak Pro 5.2
  • Toast 8, Jam 6


Hardware

  • Digidesign 002: Interface
  • Apogee Rosetta 200: A-D/D-A Converter
  • Manley Labs Massive Passive EQ: Passive, 2-channel tube Mastering Equalizer
  • TC Electronic 2240: Analog 2-channel, 4-band parametric equalizer
  • Summit Audio TLA-50: Leveling Amplifier (tube compressor)
  • Summit Audio 2BA-221: Tube Mic Preamp and Line Module
  • Focusrite ISA 428: 4 Channel Solid State Mic Preamp and Line Module

 

Monitoring

  • Genelec 1031A's: Mid-field Reference Monitors
  • Kef Audio Q-15's: Co-axial Nearfield Speakers (alternative reference source)
  • AKG K240: headphones
  • Hafler Pro 1200: 120 Watt Power Amplifier (amp for Kef speakers)


Microphones and Other Input/Output Sources

  • 1 Royer Labs R-121: Ribbon Microphone
  • 2 Neumann KM 184s: Small Diaphragm Condenser Microphones
  • 1 Shure SM 57: Dynamic, Cardioid Microphone
  • 1 Reamp v.2: High Quality, Passive Re-amping Device
  • 1 Whirlwind IMP 2: Direct Box


Effects and Miscellaneous Gear

  • T.C. Electronic 1210 Spatial Expander: Outboard Analog Chorus and Flanging Effects
  • Mackie 1202: 12 Channel Mixer (used for routing purposes only)
  • Rane RE-27: 27 Band Graphic EQ
  • Presonus BlueTube: 2 Channel Tube Mic Preamp
  • Lexicon MPX 110: Outboard Effects Processor
  • Sony ES 75: DAT recorder
  • Marantz: stand-alone CD recorder
  • Neutrik: patch bays


Instruments

  • Fender Twin Reverb (1965 Re-issue): electric guitar and instrument amplifier (all tube)
  • Fender Pro Jr: 15 watt, all tube guitar amp
  • 1979 Fender Stratocaster: "Mutant Strat" would be more appropriate- outfitted with EMG SA's
  • 2006 Fender Squire P-Bass: electric bass
  • 2003 John Price: spruce top nylon string classical guitar- huge sound with deep, resonant bass
  • 1995 Antonio Raya-Pardo: spruce top nylon string classical guitar- beautiful, warm, woody tone
  • E-mu Proteus 2000: synth/sound module
  • E-mu Proteus 2: synth/sound module
  • Roland A-30: keyboard MIDI controller
  • Assorted Percussion Instruments: djembe, udu, and frame drums
  • Stomp Boxes and Effects Galore
 
   

 

Tracking

 

Contact